The past few weeks I've been preparing furiously for a solo exhibition that I have in February here in Germany. I'm very excited to have this opportunity, and am particularly delighted that it's at Galerie Uhn, a lovely gallery owned by Jimin Leyer here in my "hometown" of Königstein.
In addition to the satisfaction of preparing a new body of work for its gallery debut, it's a real pleasure to work closely with other local artists, makers, and design professionals who are involved in the process of creating the work and producing an exhibition.
Astrid Blasberg shared her studio and etching press with me last week, where I worked on a new batch of Postcards from the Edge. The new larger-format series will be in the exhibition, reflecting scenes of the Taunus (this rural region where we live just outside of Frankfurt).
Astrid is a painter with a great eye for color! Working along side her – even though we were each focused on our own work – was real inspiration.
Heinz Pflug is a fine art photographer and digital printmaker who helped produce the base prints for the Postcards. His expertise and high standards helped me get crisp, beautifully-saturated prints of my photographs.
Julia Schwager is helping me photograph the work for an exhibition catalog. After trying to shoot the work myself with disappointing results, I'm learning it pays to bring in the experts! Her methodical approach is teaching me that there's a lot to getting good images. Plus, Julia's great fun to work with.
Merja Herzog Hellsten
My local teacher, Merja Herzog Hellsten, has been a catalyst for the direction of this work since I started classes with her last Spring. Not only is Merja a productive, successful working artist, but a highly effective teacher with a gift for honing in on just the right feedback when it's needed.
Last, but definitely not least, is my mentor Lisa Kokin. Lisa deserves her own blog post, which I will do. For now, suffice it to say that there would not be a village without Lisa's gentle tough love and steady presence since Fall 2011. I sought her out as an art coach when we moved overseas, knowing that not only did I need a wise guide to help me transition to fulltime working artist, but also someone to help me find the courage to put myself out there in a new town. The fact that Lisa's based in California hasn't stopped us and proves that one's "village" can be global as well as local.
One of my desires in moving overseas was to become immersed in local, everyday life. It's surprisingly easy as an expat not to integrate. You've got to put yourself out there in small ways that can easily become obstacles if you don't face them down: making phone calls in German, working all day through technical details with someone who speaks no English, deciphering a proposal in German (Google Translate does a lousy job), hunting down local resources and suppliers in German, preparing catalog text in two languages. I could go on!
None of this is a complaint, but it is an added layer of challenge. Which is why I'm grateful to everyone involved. They are collaborators, mentors, professionals, and friends. I wasn't sure that I could have this outside the comfort zone of my longtime hometown in the US. This experience is teaching me that, yes – it takes a village to pull off a "solo" exhibition – but that village can be anywhere if you're willing to put down the fear and just connect with people.