July Studio Update: Hot Times

July Studio Update: Hot Times

Who says it doesn't get hot here in England? We are currently wilting our way through a record-breaking heatwave. That hasn't stopped me from all manner of making that involves heat: paper burning, hot blown glass, and welding.

June Studio Update

June Studio Update

While summer weather may not actually arrive here in England this year, there's plenty of daylight for long hours in the studio this time of year. Good thing, since there are lots of exciting things underway.

April Studio Update

April Studio Update

The easterly winds from Siberia have finally stopped blowing here and sweet Spring is for real, it seems. All the more reason to embrace good things happening in the studio, including new work and a minor studio accident!

March Studio Update

March Studio Update

March roared in with a heavy workload and travel-wrecking winds, but that didn't thwart efforts to finish and ship eighteen pieces of original artwork, introduce a new series, and participate in a one-week residency in Germany. Read on for all the details. "Out like a lamb" feels elusive but I'm optimistic!

Artist talk at Spike Island Associates Space

Looking forward to my 'Open Sandwich' talk at Spike Island on Thurs. 15th Nov. in the Assoc. Space 12-1pm. I'll be discussing new work for my MA Fine Art at Bath Spa Uni, a recent pop-up residency at The Cells in Trowbridge with Angel Greenham, and how this all fits into my commercial practice for the international designed interiors market. Details here: http://ow.ly/l8na30mupPk

October Studio Update

October Studio Update

It's been a packed October with lots happening with on all fronts, including two exhibitions, new art sales and rentals, a new term at school, and Affordable Art Fair Battersea London. Plus I managed to squeeze in a quick trip to the US to see loved ones!  

September Studio Update

September Studio Update

It's been a month of school-focused commitments, an exhibition to mark the half-way point in my MFA, plus a bit of jail cell magic sprinkled into the mix (no, I didn't commit a crime).

December Studio Update: A Year to Remember

As 2017 winds down, I am grateful. While it has been the hardest year of my life (one reason I am thankful it is over), it has also been one of unexpected opportunity, growth, and new beginnings.

MA Fine Art Open Studios at Bath Spa University

This coming Wednesday evening and most of Thursday, the 6th-7th November, we're having Open Studios for my MA Fine Art program at Bath Spa University. There's all kinds of interesting things happening in our studios - if you have a moment, pop in! I'd love to see you there. Details below.

Hand-embellished Prints

I am very excited about a new project underway—and while I can't reveal many details (yet), I can start to share the process of creating something brand new. The challenge is to come up with a solution to use a large amount of my work in a cost-effective way. Original artwork is beyond the scope of the budget, yet we want to create something more unique and special than limited edition prints of the same piece.

Enter hand-embellished prints. They sit between original artwork and a straightforward reproduction, such as giclées (fine art digital prints). Using a reproduction print as the base, the work is then added-to or worked-into with techniques such as touches or washes of paint, spots of clear acrylic to create highlights or other mark-making on top of the print.

Laser cut tests at Bristol Design Forge. Kelly M. O'Brien ©2017

Laser cut tests at Bristol Design Forge. Kelly M. O'Brien ©2017

In the case of my burnt paper series, I have been testing ways to efficiently burn back into the paper print of an original, as well as create satisfying gilding effects that are cost-effective. Bristol Design Forge has been helping figure out how to use laser cutting to create a range of effects, from clean cuts that barely appear to be touched by heat, to heavier edges with a crispy effect (the latter being much to the owner's dismay, I think, as they pride themselves on getting as clean a cut as possible!).

Testing the possible range of laser cut effects for my burnt paper series, "Playing With Fire" at Bristol Design Forge, Bristol, UK. Kelly M. O'Brien ©2017

The samples are off to the client next week, and with a little luck, I'll be sharing more on this project in the near future.

Two New Commissions Going to Hong Kong

Two new pieces are winging their way this week to take up residence in a Mt. Nicholson Show Flat in Hong Kong.

Kelly M. O'Brien,  Playing With Fire No. 67 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 67. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

These pieces are inspired directly from my very first and third works in this series, back in 2013. There was something very simple and innocent about Playing With Fire No. 1 and No. 3 that I enjoyed returning to in these two latest versions.

Kelly M. O'Brien,  Playing With Fire No. 68 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 68. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

These new pieces are another example of scaling up and referencing earlier work. Clients often come to me with images of my former pieces, asking me if I can do something "similar to this one, only in these dimensions."

Kelly M. O'Brien,  Playing With Fire No. 67 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 67. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

At first, I resisted the idea of just re-producing work to spec­―is that really fine art? What I've learned is that they're all original! With flame and paper as the mediums, there is no way any two pieces will ever be identical.

Kelly M. O'Brien,  Playing With Fire No. 67 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 67. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

As with any work in a series, there are subtle differences to be explored­―the drip and flow of Chinese ink, a variation on gold leaf, what fire does to paper. So no matter the original model, this work truly has a mind of its own.

Kelly M. O'Brien,  Playing With Fire No. 68 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 68. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien,  Playing With Fire Nos. 67  and  68 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches each. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire Nos. 67 and 68. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches each. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

A big thank you to the team at James Robertson Art Consultants for the opportunity! And to Zed Al-Gafoor at Imagecentre in Bath for the beautiful images.

In the Face of Everything, We Did It

Our fourth group exhibition of the artist collective CKCK opened to a packed house and continues to garner great feedback and support. I couldn't be happier with the look and feel of the Stadtgalerie Bad Soden upon finishing our installation. Once again, despite having four very different practices, our sum is greater than each of us alone. 

Our CKCK colleague Chris Kircher has more images from the show on her blog here.

Opening night for  In the   Face of Everything , Stadtgalerie Bad Soden. Image: Claudia Neumann

Opening night for In the Face of Everything, Stadtgalerie Bad Soden. Image: Claudia Neumann

Here's is an excerpt from our statement about the exhibition's theme:

While the larger context of global events is reflected part of their work, the time since their last group exhibition has been particularly challenging for each of these artists, as they have dealt with experiences such as serious illness, loss, dislocation, and trauma.

The work shown here reflects an unflinching choice to look directly at things, clear-eyed and honestly. It is in turning toward the difficult issues that they are illuminated and given space to be acknowledged.

At a time when a string of unrelenting crises challenge us as a society, what matters is how we respond. We are not immune from life's greatest tests, but we can choose how to navigate through and beyond them.

This exhibition is a story of grit, resilience, hope and love. The choice to continue moving forward with courage and compassion, in the face of everything.

My work for this exhibition consists of two sewn-paper series: Object (Im)permanence and Mending | Tending. I began both of these series during the 20-month period of my father's terminal illness and finished several of the pieces after he died in March. Sharing such private themes so publically - both in talking with people individually about the work and during my artist talk - has been part of coming to terms with this loss. The details remain private, but the themes are universal and people responded in kind.

Sewn paper art and installations for the CKCK artist collective group exhibition, "In the Face of Everything," Bad Soden Stadtgalerie, September 2017.

The two-dimensional sewn paper pieces moved from the wall into the room, hinting at where this work might take me next. Likewise, the wall installation of torn and mended paper fragments took on a life of its own, transforming into something map-like, at a scale that reminded me of how moving my body in space to make art feels like home and something I want to do more of.

In the Face of Everything | Jetzt erst recht continues through Sunday, 24 September, with artist talks by Chris Kircher and Katja v. Ruville on that day at 4PM at the Stadtgalerie Bad Soden.

Playing With Fire Now Showing at Galerie Uhn

My exhibition at Galerie Uhn in Königstein, near Frankfurt, Germany opened with an enthusiastic gathering, highlighted by a classical music trio, reunions with dear friends, and a great response to my new work.

I also gave an artist talk on September 2nd, when I had an opportunity to discuss this work in public for the first time, using a Q&A format led by gallery owner Jimin Leyrer.

A very big thank you to Jimin and her family for lots of generous support and hard work to make this a great show, and to Ann-Katrin Sura for hosting a delightful gathering after the Vernissage.

There's also a brief article about the exhibition here (open the link with Chrome and it can translate for you).

The exhibition runs until 28 September.