mending | tending

Mending | Tending at Spike Island Art Centre

Spike Island is a fantastic art center in Bristol that offers world-class exhibitions, artist studios, creative industry workspace, and lots of rich public programming. It's a really inspiring place to be, housed in a former tea packing warehouse on the banks of the Avon River that winds through the city.

I got involved last winter by becoming an Associate and attending monthly art critiques—an informal, friendly gathering of mainly artists and curators to discuss our work. One of Spike's curators saw work from my Object (Im)permanence and Mending | Tending series at a crit (art critique where we share our work and get feedback on it), then shortly after that invited me to do a workshop on the ideas and techniques behind the work.

Last Saturday was our sold-out workshop, a packed house of all ages and range of experience! I was a bit apprehensive about how to pull this off, given the relative complexity of the concepts and techniques I use, and the wide range of needs to take care of in the room. 

Spike Island  Mending | Tending  Workshop by Kelly O'Brien, Bristol, UK. Part of Spike Island's  I Am Making Art  public engagement programming.

Spike Island Mending | Tending Workshop by Kelly O'Brien, Bristol, UK. Part of Spike Island's I Am Making Art public engagement programming.

The whole experience was a joy. Everyone really dug in and engaged with the ideas, materials, and art. People created beautiful, meaningful work that portrayed personal and imagined stories from the images we worked with.

Work in progress by Jo Young,  Mending | Tending  workshop at Spike Island. Image: Jo Young via @firedupjo

Work in progress by Jo Young, Mending | Tending workshop at Spike Island. Image: Jo Young via @firedupjo

I was reminded once again - both in preparing for and facilitating this workshop - that my lifelong accumulation of skills does not end with one career (corporate/government trainer), but rather underpins and supports what I do now as an artist. Will I do more workshops like this? I'm not sure - I've resisted going down that path, mainly to focus on making my own work, but also because of burnout as a trainer. This experience was so fulfilling, it's caused me to be open to the possibility.

Save the Dates: August 25th and September 1st Vernissages in Germany

On Friday, August 25th I'll be at Galerie Uhn in Königstein-im-Taunus, Germany for the opening of my second solo exhibition with the gallery. I'm excited to debut my burned paper sculpture series, Playing With Fire, for German collectors. 

Kelly M. O'Brien,  Playing With Fire No. 43 (Orange) , detail. Paper, spray paint, flame. 28 x 28 x .5 inches. ©2017.

Kelly M. O'Brien, Playing With Fire No. 43 (Orange), detail. Paper, spray paint, flame. 28 x 28 x .5 inches. ©2017.

I'll be in town until September 3rd, installing another exhibition in nearby Bad Soden with my artist collective CKCK, which opens on September 1st. I'll be showing different work there, including Object (Im)permanence and Mending | Tending.

Kelly M. O'Brien, work in progress from Mending | Tending series. ©2017.

Kelly M. O'Brien, work in progress from Mending | Tending series. ©2017.

So if you're in the Frankfurt area, we have lots of opportunities to see each other - I would love that.

In the meantime, I've got my head down working on pieces for both shows, plus commissions. It'll be a happy race to the finish!

Playing With Fire | Galerie Uhn | 25 August – September 28, 2017 | Vernissage: Friday, 25 August, 19:00 | Königstein, Germany

In the Face of Everything | Stadtgalerie Bad Soden | September 2 - 24, 2017 | Vernissage: Friday, 1 September, 19:00 | Bad Soden, Germany

Mending What's Torn

After one of my many trips back to the United States last year, while my father was fighting cancer, I returned to my studio in England and started tearing paper. Then I sewed it back together. Tore some more. And kept sewing. 

Kelly M. O'Brien, work in progress from Mending | Tending series. ©2017.

Kelly M. O'Brien, work in progress from Mending | Tending series. ©2017.

As my father's illness progressed and the trips back and forth from the UK to the US mounted, I sought solace in the act of repeatedly tearing and mending the paper fragments. Some of the paper and thread objects feature watercolored edges, others are taped and then sewn. Some are machine-stitched, others sewn by hand.

Kelly M. O'Brien, work in progress from Mending | Tending series. ©2017.

Kelly M. O'Brien, work in progress from Mending | Tending series. ©2017.

The work that has emerged from this repetitive action is a new series, Mending | Tending. As a close friend observed: “We mend what's been torn, and tend what we mourn.”

Kelly M. O'Brien, work in progress from Mending | Tending series. ©2017.

Kelly M. O'Brien, work in progress from Mending | Tending series. ©2017.

This new work will be shown along with Object (Im)permanence in the annual exhibition with my German colleagues of CKCK artist collective this September.

In the Face of Everything | Stadtgalerie Bad Soden | September 2 - 24, 2017 | Bad Soden im Taunus, Germany