paperart

Two New Commissions Going to Hong Kong

Two new pieces are winging their way this week to take up residence in a Mt. Nicholson Show Flat in Hong Kong.

Kelly M. O'Brien,  Playing With Fire No. 67 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 67. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

These pieces are inspired directly from my very first and third works in this series, back in 2013. There was something very simple and innocent about Playing With Fire No. 1 and No. 3 that I enjoyed returning to in these two latest versions.

Kelly M. O'Brien,  Playing With Fire No. 68 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 68. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

These new pieces are another example of scaling up and referencing earlier work. Clients often come to me with images of my former pieces, asking me if I can do something "similar to this one, only in these dimensions."

Kelly M. O'Brien,  Playing With Fire No. 67 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 67. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

At first, I resisted the idea of just re-producing work to spec­―is that really fine art? What I've learned is that they're all original! With flame and paper as the mediums, there is no way any two pieces will ever be identical.

Kelly M. O'Brien,  Playing With Fire No. 67 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 67. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

As with any work in a series, there are subtle differences to be explored­―the drip and flow of Chinese ink, a variation on gold leaf, what fire does to paper. So no matter the original model, this work truly has a mind of its own.

Kelly M. O'Brien,  Playing With Fire No. 68 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire No. 68. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien,  Playing With Fire Nos. 67  and  68 . Paper, gold leaf, ink, flame. 40 x 28 x 1 inches each. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

Kelly M. O'Brien, Playing With Fire Nos. 67 and 68. Paper, gold leaf, ink, flame. 40 x 28 x 1 inches each. ©2017. Commissioned for Mt. Nicholson Show Flat, Hong Kong.

A big thank you to the team at James Robertson Art Consultants for the opportunity! And to Zed Al-Gafoor at Imagecentre in Bath for the beautiful images.

Exhibition: Playing With Fire at Galerie Uhn

Galerie Uhn's brochure for my upcoming solo exhibition just went out, a copy below. The work is all finished and framed, ready for the long drive to Germany in a couple of weeks. I'm renting a long-ish van for trek, as some of the work that I'm bringing for this show and our CKCK group exhibition is too large for my SUV. Shipping so much work is cost-prohibitive. Eurotunnel, here I come - oh, the glamorous life of an artist!

don't abandon my esthetic

In doing research for a project later this year, I'm reminded not to abandon my esthetic. The project calls for working in ways that are much bigger and bolder than I'm used to. However, it doesn't mean that I can't stay true to who I am in the process.

The details will remain a bit of a mystery here until the project is more official, but for now, let this fabulous video of Violise Lunn's work in paper couture be a hint and an inspiration. The narration is in French, but even if you don't understand the words, the images speak for themselves.