Amazon.co.uk Widgets

conscious choices

I was information-interviewed by a bright young woman today, freshly laid off from her fast-track career, mother of two under two. Yikes. She's eager to "keep the intensity" and get back on her horse, now. Her resume is impressive. Her story and language and credentials all very brainy and smart and big. Turns out we both went to the same undergrad - no wonder I recognized that young woman on the other end of the telephone. We both learned to keep the intensity from the same place.

And yet, in between or underneath it all, I heard the beginning of a question: is this right for me? It wasn't so much what she said as a sense I got. I couldn't help myself...and told her to slow down. To look around. Take a breath. Design her life, consciously, with eyes open. 

I know nothing about her situation - if she has to work, chooses to work, loves to work. All I know is that she's been handed a big, fat opportunity to be still. Breath. Think. Feel. Let go. Then choose well, with intention.

living the artist's way

514AV7K8Z2L._SS500_.jpgDo you know Julia Cameron's work? Thanks to my dear friend Mandy, we've been using Cameron's tools to guide us on a "spiritual path to higher creativity" for over two years, now.

I have Mandy to thank for my foray into the book arts. We set out with The Artist's Way, gave Vein of Gold a try, and are now wrapping up Walking in This World.

My spiritual/creative recovery has not been theoretical. The speed, depth and integrity of my life "redesign" are evidence of these tools' power. They are grounding as they inspire.

I'm reminded of their utility today. This morning, I opened The Artist's Way in search of a touchstone to anchor me as I wade into a creative project that feels way over my head. The book fell open to just the reminder I needed, "Filling the Form:"

"What do I mean by filling the form? I mean taking the next small step instead of skipping ahead to a large one for which you may not be prepared. As a rule of thumb, it is best to just admit that there is always one action you can take for your creativity daily. This daily-action commitment fills the form."

And then this, from Walking in This World:

"...the spot-check inventory of blasting through our blocks by the naming, claiming and dumping of any worries, angers and fears related to a project can also get an artist out the starting gate effectively."

With this as context for my morning journaling, voila, a creative breakthrough appeared. My clarity toward this project had been clouded by anxiety and self-doubt for months. This morning it finally emerged, like sunshine after a long spring rain.

puppy love

astro1.jpgAstro's been teaching me about how to pay attention to the details of life. And a lot about flexibility.

After 7 weeks of resenting (and griping about) the dog care details that have invaded my life, I'm officially head-over-heels in love with him. Go figure.

Having discovered the joys of Dogtopia and an enthusiastic dog walker, we all seem to be settling in nicely. 

can we handle the truth?

At last month's Social Media for Government conference, a major take-away for me was the disruptive power of Web 2.0 tools to bureaucracy. Many government communicators, CTOs, and program managers squirmed as a parade of case studies revealed the leveling effect that unfettered access to information and transparency can unleash. It's the chaos of user-generated information and questioning of the "truth" that's most fascinating to me. Even if senior leaders of any organization (public, private, for/non-profit) wanted to stem the tide of input (and challenge to authority) from everyperson, it's too late. The cat's out of the bag.

The digital natives (a.k.a. Gen Y employees) who will soon enough be running these organizations don't seem to be afraid to question everything. During one poignant exchange, that the New York Times is a font of credible knowledge (as asserted by a senior PBA officer) was quickly dismissed by a young agency communicator: "The first thing I do is Google a headline to see what else is being said on the topic!" The PBA guy sat in stunned silence.

What excites me is the social experiment that's unfolding. This technology appears to be self-leveling - so no matter what crazy rumors (or officially spun messages) get started in the virtual grapevine, a critical mass of contributors will ultimately flush out the real story. Maybe. On the other hand, if the questioners aren't questioning their own rhetoric, does the truth have a chance to emerge? Last Sunday's Washington Post article, Truth: Can You Handle It?, takes a closer look - as do the slew of comments posted in response.

lifestyle design 101?

I know that I didn't invent the concept of designing a life, but apparently I've also been living under a rock and totally missed the whole FHWW (Four Hour Work Week) movement coined by Tim Ferriss. This guy sounds pretty intense, a 30-year old Princeton grad who lives the life of an action figure.

Before I get all judgey or envious, I'll read his book and see what I can learn. He advocates a basic (albeit not easy) formula to work less, earn what you need and live fully. The keys apparently include creating a passive income stream, outsourcing time-consuming life tasks, mini-retirements throughout life, and knowing the difference between absolute vs. relative income.

Since turning 45 this past January, I keep thinking about how "someday" is now. Someday I'll study art, someday I'll spend more time with my nieces, someday I'll live overseas. That would be now, Kel - or at least put wheels in motion. Digging out from the rubble of my 30's has been my first priority in recent years. The smoke has cleared. Life is stable. I feel that I am living my life in a conscious, fully-engaged way. I'm not on auto-pilot. But the occasional kick in the pants that ruts, complacency and deferred living are easy for me to slip back into is a good thing.

I am curious about the details behind Tim's concepts - do they work for non-action figures too?

seductive gravity, mirthful levity

Came across something today on the Oregon College of Art & Craft Book Arts program page that makes my heart sing:

A book is the material vessel through which our minds explore the world and beyond, but the experience of the book begins with its look and feel - binding us to it - with seductive gravity and mirthful levity.

That's exactly the wonder I feel when I'm lost in my papermaking, book binding and box making. That I get to immerse myself in this happy state at Penland for 2-1/2 weeks this summer is pure joy.

 

archetypes

They're everywhere, these ancient inherent truths... and an example of how things seem to be converging in my life. Reintroduced to them in 2006 by my acupuncturist (Pilar, an amazing healer), I'm now an avid student of them. They just make so much sense, on a number of levels.

They have some pretty intriguing applications, some of which I'm exploring through my client work (branding and organizational development), and through my art. Just this morning, Julia Cameron made reference to them in her book, Walking in This World. If you don't know her work, you should.

Don't take my word for it, though - check archetypes out for yourself.

thanks for sharing?

TMI (too much information) is the risk of all this technology, I suppose. Where are the boundaries? In today's Washington Post, there's an article, Friends Indeed, about the backlash of putting too much of your life out there for the world to see. The particular tools in question are Facebook and MySpace - what I don't get is how you can have 3,000 "friends," as does one person they profiled. I have a hard enough time staying authentically connected to a small handful of friends in my life.

As I embark on this experiment into Web 2.0, I am already uneasy about boundaries. This exact topic came up recently in a project I'm involved in with a small group of women. Most of us know each other only through a few conference calls, although my best friend and a client are also in this group. The goal of the project is to publish a book in which 100 women tell their personal story of overcoming adversity. To experience this for ourselves before we asked others to contribute, we decided to tell our own stories to each other. Powerful, intimate stuff emerged. A little bit of chaos ensued.

I suspect it was TMI for some, who bowed out. For those of us left standing, we're trying to figure it out. Using Tuckman's stages of group development, it feels like we zoomed from forming to storming and are now struggling to norm. For me, it's stirred up questions around trust, premature intimacy and vulnerability. How do we make it safe for women around the world to share their stories, when those of us leading this project are confronted by the dynamics this exercise has stirred up?

And yet this is exactly why I'm engaged in this experiment. Because I want to know, firsthand, what these tools are capable of (for better or worse)...to become an informed and experienced user of them, as I wade into recommending them for clients and using them in my own work.

At last week's Social Media Conference, I met a woman from the State Department who introduced me to the term "digital immigrant." Kids who grew up with this stuff are digital natives; the rest of us are immigrants. I'm simultaneously fascinated by and respectful of the power of this new world I've entered.

My current stance is that, as with any form of communication (written or spoken), responsible and conscious use of a medium lies at the heart of the response my "content" creates. I remind myself to be mindful of what shows up here and what my motivations might be for sharing something. And that not everything needs to be shared - at least not here.

cool tools

Spent two days last week immersed in learning about Web 2.0 social media tools. Now that I've recovered from having my mind blown at what people are doing to change the world through these technologies, I'm intrigued by the possibilities.

Actually, this makes perfect sense. I've been looking for a way to integrate the increasingly aligned pieces of my life: book arts, archetypes, acupuncture, more interesting client work, yoga, our new dog, a new-ish marriage, our new home. As disparate as all these things sound, there's a lot of synergy happening for me these days.

So the geek in me loves that there are a bunch of tools to connect all this stuff together.

my life, (re)designed

Back in April 2003, I had a minor car accident that was a major wake-up call. No need to rehash the drama here, but suffice it to say that at the age of 40, life was not turning out as I had planned. The past five years have been a slow, steady, intentional re-design of my life. I'm guessing that I'm not the only woman who's figured some things out the hard way, so if you're out there and want to compare notes, please join in! In the meantime, here's where I'll explore, integrate and share what it means to continue designing my life.