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PaperJoy Studio: Art by Kelly O'Brien — PaperJoy Studio

galerie uhn

hard tryer at Galerie Uhn: freu dich, trau dich

"freu dich, trau dich" by Kelly O'Brien (2014). Mixed media print on paper, 70 x 50 cm.

There's a story behind many of the pieces that I make. During the month of February while new work for my solo exhibition hangs at Galerie Uhn, I'm sharing brief backstories in a series of blog posts.

Freu dich, trau dich is a mixed media print, part of the Postcards from the Edge: Taunus series.

Frankfurt is surrounded by small towns within a short drive of the city. The contrast between Frankfurt's post-war architecture and the undamaged, well-preserved medieval structures in the Taunus is a stark reminder of Germany's past – recent and distant. Bad Camberg is one such village full of cobbled streets and charming squares.

I regret not noting the name of the artist who sculpted this beguiling bronze goat. Does the awning behind her say “freu dich,” “trau dich” or both? Freu dich means rejoice. Trau dich has several meanings, including trust yourself. Either way, I like that you can rejoice in trusting yourself.

Hard Tryer at Galerie Uhn
January 31 – February 28, 2014

Seilerbahnweg 1, 61462 Königstein
Tel: 06174-221750

Opening hours: 

Di. + Do. 14.00 – 18.00 Uhr, Mi. + Fr. + Sa. 10.00 – 13.00 Uhr und nach Vereinbarung

hard tryer at Galerie Uhn: They Decide to Stay for Awhile

"They Decide to Stay for Awhile" by Kelly O'Brien (2014). Mixed media print on paper, 50 x 70 cm.

There's a story behind many of the pieces that I make. During the month of February while new work for my solo exhibition hangs at Galerie Uhn, I'm sharing brief backstories in a series of blog posts.

They Decide to Stay is a mixed media print, part of the Postcards from the Edge: Taunus series.

We have our very own 12th century castle ruin here in Königstein. Host to the annual Bergfest, concerts and fireworks, it sees a lot of action. But most of the time, it's a quiet spot to hike up to for a nice view.

Living on temporary overseas assignment means one's life can be uprooted at any time, with little notice. When I remember that home is where the heart is, I don't mind so much.

Hard Tryer at Galerie Uhn
January 31 – February 28, 2014

Seilerbahnweg 1, 61462 Königstein
Tel: 06174-221750

Opening hours: 

Di. + Do. 14.00 – 18.00 Uhr, Mi. + Fr. + Sa. 10.00 – 13.00 Uhr und nach Vereinbarung

hard tryer at Galerie Uhn: Good Energy

"Good Energy" by Kelly O'Brien (2014). Mixed media on paper, 70 x 50 cm.

There's a story behind many of the pieces that I make. During the month of February while new work for my solo exhibition hangs at Galerie Uhn, I'm sharing brief backstories in a series of blog posts.

Good Energy is a mixed media print, part of the Postcards from the Edge: Taunus series.

On the first drive across Germany from Frankfurt to Berlin with my husband, I couldn't get enough of the giant wind turbines scattered across the countryside. Many you see from a distance, marching over hills and through valleys. Others are right along the highway, towering over you like otherworldly sentinels.

Curious about them, I did a little research. Did you know that as of the end of 2013, there are over 23,500 wind turbines in Germany, supplying 8 percent of all power to the country? The transition to renewable energy is a hot topic in Germany – not without controversy – with focused federal support and what appears to be a determined can-do attitude about making the switch from fossil fuels and nuclear energy. 

Back to these turbines...like my travel companion, there was something about the wind turbines' scale, unison and quiet presence that I found reassuring.

Hard Tryer at Galerie Uhn
January 31 – February 28, 2014

Seilerbahnweg 1, 61462 Königstein
Tel: 06174-221750

Opening hours: 

Di. + Do. 14.00 – 18.00 Uhr, Mi. + Fr. + Sa. 10.00 – 13.00 Uhr und nach Vereinbarung

short stories from the taunus

"Leave Breadcrumbs" by Kelly O'Brien (2014). Mixed media print on paper, 70 x 50 cm.

There's a story behind many of the pieces that I make. During the month of February while new work for my solo exhibition hangs at Galerie Uhn, I'll be sharing brief backstories about the work in a series of blog posts.

The stories are all from a series of mixed media prints, Postcards from the Taunus. The Taunus is the region where I live, just outside of Frankfurt.

The first set of Postcards were from Scotland. I was on an artist retreat to loosen up my work, take risks, and experiment with new techniques.

Postcard series made during Women's Studio Workshop Printing on the Edge retreat at Rua Reidh Lighthouse in northwestern Scotland. Trace monoprint, chine colle and monoprint on color photograph.

Postcard series made during Women's Studio Workshop Printing on the Edge retreat at Rua Reidh Lighthouse in northwestern Scotland. Trace monoprint, chine colle and monoprint on color photograph.

Printmaking can be full of surprises, perfect for these goals. Thus, the Postcards were born, and seem to be taking on a life of their own. They're becoming a way to document not only where I travel, but also particular moments, relationships, and identity.

Hard Tryer at Galerie Uhn
January 31 – February 28, 2014

Seilerbahnweg 1, 61462 Königstein
Tel: 06174-221750

Opening hours: 

Di. + Do. 14.00 – 18.00 Uhr, Mi. + Fr. + Sa. 10.00 – 13.00 Uhr und nach Vereinbarung

a heartfelt Danke!

Last night's Opening for Hard Tryer at Galerie Uhn was wunderschön! I was feeling the love as friends, new acquaintances and gallery patrons gathered to help celebrate.

Gallery owner Jimin Leyrer did a wonderful job installing the work and rolling out the red carpet, treating us to her special Chinese New Year's rice cakes as we also toasted The Year of the Horse.

It means a lot to me that everyone who came made the time and effort to travel to Königstein, several navigating train schedules and the autobahn. As I was navigating my own limited German in a short talk, it struck me how people's mere presence was testament to exactly what Hard Tryer is about: putting ourselves out there to connect, even when it takes some effort or in the face of unknown results. Last night showed me that the results are indeed good.

All images above by the lovely Julia Schwager, unless otherwise noted.

The exhibition runs through the end of February. Details below.

Hard Tryer at Galerie Uhn
January 31 – February 28, 2014

Seilerbahnweg 1, 61462 Königstein
Tel: 06174-221750

Opening hours: 

Di. + Do. 14.00 – 18.00 Uhr, Mi. + Fr. + Sa. 10.00 – 13.00 Uhr und nach Vereinbarung

Hard Tryer at Galerie Uhn opens tonight!

"Small World" by Kelly O'Brien (2014). Mixed media print on paper, 50 x 70 cm.

My Hard Tryer solo exhibition at Galerie Uhn opens this evening at 19:00. If you can stop by for a visit, I'd love to share the work with you personally. The exhibition runs through the end of February.

If you have a small group of friends and would like to have a private tour, please let me or gallery owner Jimin Leyrer know.

There will be an exhibition catalog available for purchase, or as a gift when original art is purchased.

Throughout the month of February I'll be sharing short background stories about some of the work in the exhibition, including Postcards from the Edge: Taunus, through regular blog posts.

Gallery Uhn details and opening hours, below. I hope to see you on Friday!

"Hard Tryer" (detail). Watercolor, coffee, pencil on paper, 80 x 60 cm.

Exhibition details:

Hard Tryer at Galerie Uhn
January 31 – February 28, 2014
Vernissage: Friday, 31 January at 19:00

Seilerbahnweg 1, 61462 Königstein
Tel: 06174-221750

Opening hours: Di. + Do. 14.00 – 18.00 Uhr, Mi. + Fr. + Sa. 10.00 – 13.00 Uhr und nach Vereinbarung

New Year's studio update

Happy New Year from the studio! I'll be starting 2014 off with my first solo exhibition in Germany. It will be at Galerie Uhn from January 31 to February 28, right here in Königstein. I'm thrilled to have this opportunity and am hard at work preparing for the show.

"Hard Tryer" (detail), watercolor, coffee and pencil on paper, 80 x 60 cm.

"Hard Tryer" (detail), watercolor, coffee and pencil on paper, 80 x 60 cm.

The exhibition will be centered around my Hard Tryer body of work, including brand new large-format watercolors and mixed media Postcards from the Edge: TaunusThe opening reception is Friday, January 31 at 7:00 pm.

"Small World" (2014). Mixed media print on paper, 50 x 70 cm.

"Small World" (2014). Mixed media print on paper, 50 x 70 cm.

Work has already begun to sell, so if you're interested in a piece, don't miss out! You're welcome to stop by my studio for a preview (just call or email ahead and chances are, I'll be here).

Local friends, I hope to see you at the opening! If you'd like a private tour of the work once the show is open, please let me know. I'd love to do so.

In the meantime, check out an arts-centered blog by The Torpedo Factory that featured my response to the question: "Should I major in art or go to art school?" It's a great blog for diving deeper into the studio life and work of the artists at one of the largest juried art centers in the United States.

Wishing you and yours a prosperous and happy 2014!

Exhibition details:

Hard Tryer, solo exhibition. Galerie UHN, Königstein, Germany. January 31 – February 28, 2014. Opening reception: Friday, 31 January at 19:00 Seilerbahnweg 1, 61462 Königstein-im-Taunus

solo exhibition: it takes a village

The past few weeks I've been preparing furiously for a solo exhibition that I have in February here in Germany. I'm very excited to have this opportunity, and am particularly delighted that it's at Galerie Uhn, a lovely gallery owned by Jimin Leyer here in my "hometown" of Königstein.

In addition to the satisfaction of preparing a new body of work for its gallery debut, it's a real pleasure to work closely with other local artists, makers, and design professionals who are involved in the process of creating the work and producing an exhibition.

Astrid Blasberg

Astrid Blasberg shared her studio and etching press with me last week, where I worked on a new batch of Postcards from the Edge. The new larger-format series will be in the exhibition, reflecting scenes of the Taunus (this rural region where we live just outside of Frankfurt).

Astrid Blasberg in her studio at the Fabrik in Roedelheim (Image: courtesy of Astrid Blasberg)

Astrid Blasberg in her studio at the Fabrik in Roedelheim (Image: courtesy of Astrid Blasberg)

Astrid is a painter with a great eye for color! Working along side her – even though we were each focused on our own work – was real inspiration.

Working on a fresh batch of "Postcards from the Edge" in Astrid Blasberg's studio

Working on a fresh batch of "Postcards from the Edge" in Astrid Blasberg's studio

Heinz Pflug

Heinz Pflug is a fine art photographer and digital printmaker who helped produce the base prints for the Postcards. His expertise and high standards helped me get crisp, beautifully-saturated prints of my photographs.

Heinz Pflug, photographer and large format digital print expert, with his massive Epson

Heinz Pflug, photographer and large format digital print expert, with his massive Epson

Heinz inspecting the work!

Heinz inspecting the work!

Julia Schwager

Julia Schwager is helping me photograph the work for an exhibition catalog. After trying to shoot the work myself with disappointing results, I'm learning it pays to bring in the experts! Her methodical approach is teaching me that there's a lot to getting good images. Plus, Julia's great fun to work with.

Julia Schwager photographing my work for the exhibition catalog

Julia Schwager photographing my work for the exhibition catalog

Katja von Ruville

Katja von Ruville is designing and producing the exhibition catalog. I adore Katja's esthetic (and her gorgeous handmade jewelry), so I'm very happy to tap her talents for this project.

Katja von Ruville (and studio assistant Anouk) is designing the exhibition catalog (Image: Sven Ehlers)

Katja von Ruville (and studio assistant Anouk) is designing the exhibition catalog (Image: Sven Ehlers)

Merja Herzog Hellsten

My local teacher, Merja Herzog Hellsten, has been a catalyst for the direction of this work since I started classes with her last Spring. Not only is Merja a productive, successful working artist, but a highly effective teacher with a gift for honing in on just the right feedback when it's needed.

Merja Herzon Hellsten in action during a group crit in our Staedelschule Adult Education class

Merja Herzon Hellsten in action during a group crit in our Staedelschule Adult Education class

Lisa Kokin

Last, but definitely not least, is my mentor Lisa Kokin. Lisa deserves her own blog post, which I will do. For now, suffice it to say that there would not be a village without Lisa's gentle tough love and steady presence since Fall 2011. I sought her out as an art coach when we moved overseas, knowing that not only did I need a wise guide to help me transition to fulltime working artist, but also someone to help me find the courage to put myself out there in a new town. The fact that Lisa's based in California hasn't stopped us and proves that one's "village" can be global as well as local.

Lisa Kokin, mixed media artist, teaching Bindi how to sew (Image: Lia Roozendaal)

Lisa Kokin, mixed media artist, teaching Bindi how to sew (Image: Lia Roozendaal)

One of my desires in moving overseas was to become immersed in local, everyday life. It's surprisingly easy as an expat not to integrate. You've got to put yourself out there in small ways that can easily become obstacles if you don't face them down: making phone calls in German, working all day through technical details with someone who speaks no English, deciphering a proposal in German (Google Translate does a lousy job), hunting down local resources and suppliers in German, preparing catalog text in two languages. I could go on!

None of this is a complaint, but it is an added layer of challenge. Which is why I'm grateful to everyone involved. They are collaborators, mentors, professionals, and friends. I wasn't sure that I could have this outside the comfort zone of my longtime hometown in the US. This experience is teaching me that, yes – it takes a village to pull off a "solo" exhibition – but that village can be anywhere if you're willing to put down the fear and just connect with people.