If you can believe it, the light is already rising here in the UK with afternoons growing a tiny bit longer each day before it gets dark. I am always heartened by this, even in gloomy February. It reminds me that Spring is coming with the darkest days behind us.
Which was the theme for my installation at last month'sBlue Monday exhibition at 44AD Gallery in Bath, shown above.
In the meantime, things are humming in the studio where we're working on 15 pieces for three separate projects that all will be finished before it's officially Spring next month. For a peek behind the scenes and more, read on!
Two New Commissions Going to Hong Kong
Two new pieces are winging their way this week to take up residence in a Mt. Nicholson Show Flat in Hong Kong.
These pieces are inspired directly from my very first and third works in this series, back in 2013. There was something very simple and innocent about Playing With Fire No. 1 and No. 3 that I enjoyed returning to in these two latest versions.
These new pieces are another example of scaling up and referencing earlier work. Clients often come to me with images of my former pieces, asking me if I can do something "similar to this one, only in these dimensions."
At first, I resisted the idea of just re-producing work to spec―is that really fine art? What I've learned is that they're all original! With flame and paper as the mediums, there is no way any two pieces will ever be identical.
As with any work in a series, there are subtle differences to be explored―the drip and flow of Chinese ink, a variation on gold leaf, what fire does to paper. So no matter the original model, this work truly has a mind of its own.
A big thank you to the team at James Robertson Art Consultants for the opportunity! And to Zed Al-Gafoor at Imagecentre in Bath for the beautiful images.